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the fancy merely. Their doctrines are but tentative, and are advanced with little eye to a clear metaphysic, or systematized philosophy warranted to lift "the burthen of the mystery " of this unintelligible world. The chief thing hoped for them is that they and their utterances may have dramatic plausibility enough to procure for them, in the words of Coleridge, "that willing suspension of disbelief for the moment which constitutes poetic faith." The wide acceptance of the Monistic theory of the Universe forbade, in this twentieth century, the importation of Divine personages from any antique Mythology as ready-made sources or channels of Causation, even in verse, and excluded the celestial machinery of, say, Paradise Lost, as peremptorily as that of the Iliad or the Eddas. And the abandonment of the masculine pronoun in allusions to the First or Fundamental Energy seemed a necessary and logical consequence of the long abandonment by thinkers of the anthropomorphic conception of the same.
These phantasmal Intelligences are divided into groups, of which one only, that of the Pities, approximates to "the Universal Sympathy of human nature —the spectatot^iealized " 1 of the Greek Chorus ; it is impressionable and inconsistent in its views, which sway hither and thither as wrought on by events. Another group approximates to the passionless Insight of the Ages. The remainder are eclectically chosen auxiliaries whose signification may be readily discerned. In point of literary form, the scheme of
1 Schlegel. ix